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Super Tough!: Cartoonish Character Designs for "Lord of the Rings"
Frodo is the true protagonist of The Lord of the Rings. Driving sometimes up to five story lines, Tolkien made us think that Frodo had died somewhere and that forced us to accelerate our reading in order to return to his chapters. This does not downgrade Aragorn, Gandalf and the others, because you feel a connection between them, so you realize that they are buying time for Frodo to fulfill his mission. For me it is a very powerful concept that one so small could do this incredible task. Like any antihero, Frodo is not perfect, he makes mistakes and suffers from an addiction that consumes him until the end of the story.
It is curious that Sam Gamgee (Sean Astin), unlike the other hobbits, didn't have an English accent and I don't think it was due to lack of skill, it is kind of a mistery to me. Beyond that, I think he did a good job, it was a very demanding role in the emotional and physical aspect, unlike many others parts he has played throughout his career. Definitely the most memorable.
The fight with Shelob is one of the chapters of the book you could not stop reading,when you thought all was lost Sam grabs 'the light of Earendil' and Sting to pick up a fight. You could imagine the desperation and fear that goes through his body once he encounters this big horrible monster. Still, he fights. Definitely one of my favorite chapters of the entire book.
These two are the comic relief of the trilogy, at least in the first two films. These two add value to the message of friendship that Frodo and Sam live, but the interesting thing about this relationship is that they take different paths after the chapter of Treebeard, each one growing emotionally by their own will: Merry in Rohan and Pippin in the city of Minas Tirith.
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Sunday, November 27, 2011
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Ian McKellen Eplains Why He Almost Didn't Play Gandalf in "The Hobbit"
McKellen stated:
"All I had to decide was what to do with the time that is given me.
I'm 71 and fit: though at my age who knows what accident is 'round the next corner? For a year or more, I have been arranging my professional commitments around the possibility of The Hobbit films starting at almost anytime. We brought the Waiting for Godot tour of Australia to New Zealand early 2010, assuming I would stay on to start shooting soon after. Then there was yet another delay: but in Wellington I met with Guillermo del Toro and later read his script for Part One, written with the LOTR writing team. It was true to the style, the fun and the romance of the trilogy.
When Peter Jackson, already producing, resumed the director's chair, he kept me in touch with developments. A second screenplay was sent over, on the understanding that I would not talk about what I read in it.
After the ruckus over trade union expectations and unlikely rumours of filming outside New Zealand, suddenly crucial casting was announced, plus a start date in February 2011. Martin Freeman as Bilbo sounds perfect. As my agent continued to negotiate with Warner Brothers, I kept wondering was Gandalf what I most wanted to do, more than a new play for instance or indeed a new part? Sequels aren't necessarily as rewarding to act in as their originals.
Could I let Gandalf go? Would anyone else care if I did? Elsewhere, does anyone care that Michael Gambon was not the first to play Dumbledore?
The deciding negotiation was not about money but about dates. Gandalf is needed on set over the next 18 months but with sizeable breaks when I can work on other projects. My worry that I could not easily escape from Middle Earth was lifted.
I am happy to say I start filming in Wellington on February 21 2011."
